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Design and the Social Imagination
How can social theory help us all design solutions to address the social, political and ecological challenges that confront us, and build more sustainable communities? Design professions have typically been associated with intervention and action, while social science has long been associated with thought and reflection.Design and social thought are too frequently considered distinct in terms of how theories can be applied in practice. Design and the Social Imagination brings together the creative, action-oriented sensibility of design with the reflective, analytical capacities of the social sciences to offer models, ideas and strategies for shaping the future of the world we live in. In a world of global economic inequality, racism, and environmental degradation, designing with an understanding of our social reality is increasingly crucial to our survival.Matthew DelSesto explores current practices and discourses in areas of urban design, design for social innovation, environmental design, co-design, service design, and more, illustrating how thoughtful design can contribute in a more productive way.Drawing on a range of theory and practice from radical social thinkers C.Wright Mills, Patrick Geddes, Jane Addams and W. E. B. Du Bois, his book shows us how design and the social sciences can interact in order to intervene in the crises we face today.
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Imagination!
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Imagination (Wonder & Imagination) Unlined Hardcover Journal
The boundless dreams of childhood are within reach in the enchanting works of Victor Nizovtsev, such as the painting reproduced on our Imagination journal cover.The artist’s stated hope is that his paintings “will give people a small taste of their childhood and will inspire their own stories.”
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Active Imagination
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What is imagination?
Imagination is the ability to form mental images, ideas, and concepts that are not present in our immediate surroundings. It allows us to visualize things that do not exist or have not yet happened, enabling us to be creative, innovative, and problem-solve. Imagination is a powerful tool that helps us explore new possibilities, think outside the box, and envision a better future.
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Was it imagination?
Imagination is the ability to form mental images, sensations, and concepts that are not present to the senses. It is a creative and cognitive process that allows us to explore possibilities and envision new ideas. Whether something is imagination or not depends on the context and the individual's perception. It could be a product of imagination if it is a creative idea or a mental image, but it could also be a real experience or observation. Ultimately, the determination of whether something is imagination or not is subjective and can vary from person to person.
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Fantasy or imagination?
Fantasy and imagination are closely related but not the same. Imagination is the ability to form mental images, ideas, and sensations that are not present in reality, while fantasy is a genre of fiction that often involves magical or supernatural elements. Imagination is a fundamental cognitive process that allows us to think creatively and problem-solve, while fantasy is a specific type of creative expression. Both are important for creativity and innovation, but they serve different purposes in our cognitive and emotional lives.
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Is the welcome ritual at home imagination or real?
The welcome ritual at home can be both imagination and real. It is real in the sense that it is a physical action or gesture that is performed to make someone feel welcomed and valued in the home. However, it can also be imagination in the sense that the meaning and significance behind the ritual is often deeply personal and symbolic, and can vary from person to person. The ritual may hold different meanings and emotions for different individuals, making it a combination of both real and imagined elements.
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The Imagination
‘No matter how long I may look at an image, I shall never find anything in it but what I put there.It is in this fact that we find the distinction between an image and a perception.' - Jean-Paul SartreL’Imagination was published in 1936 when Jean-Paul Sartre was thirty years old.Long out of print, this is the first English translation in many years.The Imagination is Sartre’s first full philosophical work, presenting some of the basic arguments concerning phenomenology, consciousness and intentionality that were to later appear in his master works and be so influential in the course of twentieth-century philosophy. Sartre begins by criticising philosophical theories of the imagination, particularly those of Descartes, Leibniz and Hume, before establishing his central thesis.Imagination does not involve the perception of ‘mental images’ in any literal sense, Sartre argues, yet reveals some of the fundamental capacities of consciousness.He then reviews psychological theories of the imagination, including a fascinating discussion of the work of Henri Bergson.Sartre argues that the ‘classical conception’ is fundamentally flawed because it begins by conceiving of the imagination as being like perception and then seeks, in vain, to re-establish the difference between the two.Sartre concludes with an important chapter on Husserl’s theory of the imagination which, despite sharing the flaws of earlier approaches, signals a new phenomenological way forward in understanding the imagination. The Imagination is essential reading for anyone interested in the philosophy of Jean-Paul Sartre, phenomenology, and the history of twentieth-century philosophy. This new translation includes a helpful historical and philosophical introduction by Kenneth Williford and David Rudrauf.Also included is Maurice Merleau-Ponty’s important review of L’Imagination upon its publication in French in 1936. Translated by Kenneth Williford and David Rudrauf.
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Animal Imagination
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Explaining Imagination
This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence.It is free to read at Oxford Academic and offered as a free PDF download from OUP and selected open access locations. Imagination will remain a mystery--we will not be able to explain imagination--until we can break it into parts we already understand.Explaining Imagination is a guidebook for doing just that, where the parts are other ordinary mental states like beliefs, desires, judgments, and decisions.In different combinations and contexts, these states constitute cases of imagining.This reductive approach to imagination is at direct odds with the current orthodoxy, according to which imagination is a sui generis mental state or process—one with its own inscrutable principles of operation.Explaining Imagination upends that view, showing how, on closer inspection, the imaginings at work in hypothetical reasoning, pretense, the enjoyment of fiction, and creativity are reducible to other familiar mental states—judgments, beliefs, desires, and decisions among them.Crisscrossing contemporary philosophy of mind, cognitive science, and aesthetics, Explaining Imagination argues that a clearer understanding of imagination is already well within reach.
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Criminological Imagination
For the last three decades Jock Young's work has had a profound impact on criminology.In this provocative new book, Young rejects much of what criminology has become, criticizing the rigid determinism and rampant positivism that dominate the discipline today.His erudite and entertaining examination of what's gone wrong with criminology draws on a range of research - from urban ethnography to sexology and criminal victimization studies - to illustrate its failings. Young makes a passionate case for a return to criminology's creative and critical potential, partly informed by the new developments in cultural criminology.A late-modern counterpart to C. Wright Mills' classic The Sociological Imagination, this inspirational piece of writing from one of the most brilliant voices in contemporary criminology will command widespread attention.The concluding part of the author's trilogy of influential texts including The Vertigo of Late Modernity and The Exclusive Society, it will be essential reading for anyone who cares about the future of criminology, and the social sciences more generally.
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Do animals have imagination?
While animals may not have the same level of imagination as humans, there is evidence to suggest that some animals do possess a degree of imagination. For example, certain species of birds have been observed using tools in creative ways to solve problems, which could indicate a level of imagination. Additionally, animals like dolphins and elephants have displayed behaviors that suggest they can think beyond their immediate circumstances and imagine different possibilities. Overall, while the extent of animal imagination may differ from humans, there are indications that some animals do possess this cognitive ability to some degree.
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Imagination or Reality: Spider?
Spiders are a reality in the natural world, existing in various species and habitats around the globe. However, the fear or fascination that spiders evoke in individuals can often lead to imaginative interpretations or exaggerated perceptions of these creatures. While some may view spiders as terrifying or dangerous, others may appreciate their role in controlling insect populations and admire their intricate webs and unique characteristics. Ultimately, the perception of spiders can vary between imagination and reality, depending on individual experiences and perspectives.
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Has the imagination diminished?
No, the imagination has not diminished. In fact, with advancements in technology and access to a wide range of creative outlets, the imagination has the potential to flourish more than ever before. People are constantly creating and consuming new forms of art, literature, and media, which requires a strong imagination. Additionally, the ability to envision and create new solutions to complex problems is a key aspect of human imagination, and this capacity continues to be essential in various fields such as science, engineering, and design. Therefore, the imagination remains a powerful and essential aspect of human creativity and innovation.
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Is faith just imagination?
Faith is not just imagination. While imagination can play a role in shaping one's beliefs and understanding of faith, faith itself is a deeply held conviction or trust in something that is beyond the realm of empirical evidence. It involves a strong belief in something greater than oneself, and often serves as a source of hope, comfort, and guidance in the face of uncertainty. Faith can be based on personal experiences, teachings, or spiritual insights, and is not simply a product of imagination.
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